Zusammenfassung der Episode
Nearly 40 years ago, Ann-Marie MacDonald shook up Canadian theatre with Goodnight Desdemona (Good Morning Juliet), an irreverent comedy that flipped the script on two of Shakespeare’s most tragic heroines. But when she first penned it, she wasn’t thinking about love, tragedy or even comedy — she was out for revenge against Shakespeare's "cry-and-die" roles for women. Now, Canadian Stage is remounting the production in Toronto with Ann-Marie starring as Constance Ledbelly. She joins Tom Power in the Q studio to reflect on the groundbreaking play, what it took to champion its controversial lesbian kiss in the 1980s, and what it feels like to step back into the lead role for the first time in a quarter of a century.
Nearly 40 years ago, Ann-Marie MacDonald shook up Canadian theatre with Goodnight Desdemona (Good Morning Juliet), an irreverent comedy that flipped the script on two of Shakespeare’s most tragic heroines. But when she first penned it, she wasn’t thinking about love, tragedy or even comedy — she was out for revenge against Shakespeare's "cry-and-die" roles for women. Now, Canadian Stage is remounting the production in Toronto with Ann-Marie starring as Constance Ledbelly. She joins Tom Power in the Q studio to reflect on the groundbreaking play, what it took to champion its controversial lesbian kiss in the 1980s, and what it feels like to step back into the lead role for the first time in a quarter of a century.
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Ann-Marie MacDonald wanted revenge on Shakespeare
GehörtNearly 40 years ago, Ann-Marie MacDonald shook up Canadian theatre with Goodnight Desdemona (Good Morning Juliet), an irreverent comedy that flipped the script on two of Shakespeare’s most tragic heroines. But when she first penned it, she wasn’t thinking about love, tragedy or even comedy — she was out for revenge against Shakespeare's "cry-and-die" roles for women. Now, Canadian Stage is remounting the production in Toronto with Ann-Marie starring as Constance Ledbelly. She joins Tom Power in the Q studio to reflect on the groundbreaking play, what it took to champion its controversial lesbian kiss in the 1980s, and what it feels like to step back into the lead role for the first time in a quarter of a century.
No grants, no labels, no stone unturned: Teagan Johnston on Big Time
GehörtTeagan Johnston is a multidisciplinary singer-songwriter with a knack for writing evocative, beautiful lyrics. She’s toured North America, Japan and Europe, and even performed at director David Lynch’s private nightclub in Paris. Teagan joins Tom Power to talk about her new album, Big Time, and what it took to make it entirely on her own terms. She shares how themes of identity and family shape her lyrics, how teaching kids music helped her fall back in love with making it, and the dream that inspired her song Take Me to the Trailer.
Why Kat Sandler gave Baba Yaga a sexy, vengeful makeover
GehörtForget the crooked nose and the bubbling cauldron. For her new Crave series YAGA, award-winning Canadian playwright and director Kat Sandler turns Slavic folklore upside down, reimagining the mythical witch Baba Yaga as a complex, sexually liberated woman who turns the tables on bad men. The eight-part murder mystery series is an adaptation of Kat’s celebrated play of the same name. She sits down with Tom Power to talk about reclaiming the narrative of the crone, channeling overlooked female rage into a TV anti-hero, and what it took to bring her hit stage play to the screen alongside stars Carrie-Anne Moss and Hudson Williams. YAGA is streaming now on Crave.
The at-home DNA test that turned one man’s life into a musical
GehörtWhen Noam Tomaschoff ordered an at-home DNA test on a whim, he didn't expect to learn anything earth-shattering. But before the results even arrived, his parents revealed a secret they had kept for decades: he was conceived via sperm donation, meaning the man who raised him wasn't his biological father. Digging deeper into the results, Noam made another startling discovery — he had more than 35 half-siblings scattered across North America. The Toronto-born actor, writer and director sits down with Tom Power to share how he navigated that identity shock, and how turning the experience into an award-winning musical helped him make sense of it all. Our Little Secret: A True New Musical opens at Toronto’s CAA Theatre tonight.
Dolph Lundgren: ‘I have one scar per picture’
GehörtIf you grew up on ’80s and ’90s action movies, you’re probably familiar with Dolph Lundgren. He played the towering Soviet boxer Ivan Drago opposite Sylvester Stallone in Rocky IV, He-Man in the original live-action Masters of the Universe, and more recently, he’s been kicking butt in The Expendables franchise. But long before Hollywood came calling, Dolph was a chemical engineering student headed to MIT on a Fulbright scholarship. His entire trajectory shifted when a chance encounter with pop icon Grace Jones pulled him into the whirlwind of New York’s Studio 54. Now, a new documentary, Dolph: Unbreakable, traces his journey from a painful childhood in Sweden to global superstardom. Dolph joins Tom Power to talk about his unlikely path from academia to Hollywood, how he nearly died performing some of his own stunts, and how he managed to channel his severe childhood trauma through martial arts and acting.